Despite these weighty names, it’s ‘Shrine’ with Freya Ridings that stands out as her rich vocals hit home over a splashy sugar-coated melody reminiscent of a Sub Focus number from about eight years ago. The most notable aspect of ‘NOVA’ is the abundance of high profile guest spots including Ty Dolla $ign, Miguel, Tory Lanez and more.

Opener ‘Feel Free’ has the breezy percussion of ‘Black Sands’-era Bonobo but the subaquatic hyper-pitched vocals of a MssingNo track and the result is as hypnotising as it is unexpected – for the first minute at least until it descends into bottom end absurdity before scaling it back again.

‘NOVA’ is the complete antithesis to this – for better or worse, and occasionally both. Its consistent theme, however, was its pull towards dance music’s darker end of the spectrum. ‘VOID’ was a record which just about toed the line between explosive trap and comedic festival crowd pleasers, but it also showcased Steinway’s versatility for other sounds from occasional D&B licks to bass-heavy, sample-ridden rumblers.

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